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Archive => Indie Game Design => Topic started by: RPunkG on October 17, 2002, 04:40:38 PM

Title: Damage Mechanics
Post by: RPunkG on October 17, 2002, 04:40:38 PM
I'm working on game mechanics and I'm having a lot of trouble with weapon damage and wounds.  I was hoping to get soem help.  :)

I'm not too fond of Hit Points, I think that Hit Location is much more realistic and easier to adjust for modifiers (like -2 running if hit in the leg or -2 melee if hit in the arm).

My problem lies in the fact that a 13 year old kid, a 30 year old weight lifter and a 75 year old woman can each take different amounts of damage before a limb is "crippled."

I was thinking that each limb would have its own set of hit points (chest having the most and head having the least) but what mechanic of the game would determine how many hit points each one has.

Also, the hit location was going to be 2d6 to determine where the target gets hit, but how would that translate to an alien with four legs or a dragon of with wings?

I sure hope I can get some help with this  :)
Title: Damage Mechanics
Post by: Jake Norwood on October 17, 2002, 04:49:18 PM
Okay-

I guess I'm the damage guy in some ways, so first, in a very standard Forge-ish fashion...

What are you trying to accomplish with your hit locations and damage specifications? What do you want this to provide for the players in-play? Fear? Grit? Blood? Silliness? "Reality?" A combination? By knowing where you're going it's easier to get there.

As to your problem with hit location--especially when dealing with random tables--the difference beween a dragon, horse, and human are all going to be frustrating for many players. Most games do this by making additional charts. I was under the impression that, with The Riddle of Steel, that the charts were free-form enough that players could extrapolate (since the location isn't random), but it didn't turn out that way, and now we've got a whole section on non-humanoid damage in our next supplement.

If you make your table more "principle" based and less detailed, it will require less work to modify for lots of different kinds of targets. If you go detailed to, say, the Rolemaster level, you'll be in trouble on that end.

Jake
Title: Damage Mechanics
Post by: Valamir on October 17, 2002, 05:39:47 PM
Hey Punk.  
I think you'd get alot of great ideas from checking out Jake's game Riddle of Steel (in general, but specifically in regards to this issue).


Basically the game uses the concept of wound levels instead of hitpoints (lots of games have done this in various ways) PLUS associates wound levels with specific hit locations (I can't think of many that have done this).

This makes it easy to figure out broad damage effects.  We know that a level 1 wound is fairly trivial, a level 2 wound noticeable, a level 3 wound significant, a level 4 wound likely crippling and a level 5 wound pretty much losing body parts.  Even without reference to a table, knowing the relative wound level for a particular hit location gives a pretty good sense of how messed up someone is.

The difference between the kid, the strong guy, and the old lady comes in with the Toughness trait.  In RoS its a direct wound level reducer.

The strong guy might be a 7, the kid a 4 and the old lady a 3.  If they get hit for 8 damage, the strong guy takes a lvl 1 wound, the kid, a lvl 4, and the old lady a lvl 5.

Thats a concept you can tweak to your own mechanical needs which gives you the hit locations you want without the nasty hitpoint stuff.
Title: Damage Mechanics
Post by: Ben Morgan on October 17, 2002, 11:04:37 PM
Quote from: ValamirBasically the game uses the concept of wound levels instead of hitpoints (lots of games have done this in various ways) PLUS associates wound levels with specific hit locations (I can't think of many that have done this).
I did something similar to this with Cyberpunk (which does the first part), way back when. I was hardcore sim back then, so of course it was overcomplicated.

I liked Cyberpunk's wound track, in that it got away from the idea that "Health" (or HP or whatever) was a resource that could be slowly whittled away until you fall down. Instead, wounds of varying severity were inflicted that interfered with your effectiveness in different ways (Stun Saves, Death Saves, and Wound Penalties). I had the idea to keep track of specific wounds to specific locations mainly for purposes of healing. After all, three small wounds to separate locations will heal faster than one gaping wound in one location.
Title: Damage Mechanics
Post by: RPunkG on October 18, 2002, 05:35:19 AM
I want a damage system that is fairly realistic and makes the players fear for their lives.  I think that a lot of games are too generous with their hitpoints and wounds; characters can stand in a street and shoot at eachother all day before someone dies.

I want a damage system that captures the reality that, if someone shoots you in the gut with a glok, you're going to the floor.

That way, when the bullets start flying, people go for cover opposed to just drawing their weapons.

At the same time I need this realism with armor ratings and weapon damage.  So whats the best way to figure it.  Should the weapon damages be static, or a dice roll?
Title: Damage Mechanics
Post by: Jake Norwood on October 18, 2002, 06:25:19 AM
Quote from: RPunkG
At the same time I need this realism with armor ratings and weapon damage.  So whats the best way to figure it.  Should the weapon damages be static, or a dice roll?

With Riddle I did a combination of both. I'm a big fan of less rolls but more detail in combat. There's wayyyy too much die rolling per round in most mainstream games. Combat should be fast and furious, but that doesn't have to mean simple or cheap. Work everything so that it flies through actual play, and still has the detail you want, and you're gold.

Jake
Title: Damage Mechanics
Post by: RPunkG on October 18, 2002, 08:06:25 AM
So you're suggesting a more narritive approach to combat?
Title: Damage Mechanics
Post by: Valamir on October 18, 2002, 02:31:46 PM
Less rolls doesn't have to mean narrative.  RoS combat will still spit out an answer to the question of "how messed up am I" even if the players never utter a word (its of course much more entertaining when embellished).
Title: Damage Mechanics
Post by: M. J. Young on October 19, 2002, 01:14:40 AM
The problem seems to be this: