Hey!  I've just read through the book briefly and I've got a couple of questions regarding conflicts.

1 - When are individual actions in a conflict round announced?  I suspect they're announced during the reveal, but doesn't that make defensive actions very hard to anticipate for?

2 - Are committed action tokens recovered at the end of a conflict or a conflict round?

Regards,
Daniel

coffeestain wrote: 1 - When are individual actions in a conflict round announced?  I suspect they're announced during the reveal, but doesn't that make defensive actions very hard to anticipate for?

coffeestain wrote: 2 - Are committed action tokens recovered at the end of a conflict or a conflict round??

Awesome, thanks.

I'm just now trying to figure out the best way for everyone to declare actions prior to the reveal.  It seems, if they're taking multiple actions, writing them down on paper might be the best way to go.

Regards,
Daniel

That's what the character sheet is for! Use the aptitude space on the sheet for this.

Sure, I get that.  But there's not enough space to write in what I want the actual action to be, narratively.  How did you handle this during your games, Brennan?

Regards,
Daniel

I just have everyone orally describe what each action is at the reveal. Using a sticky note would work pretty well, I think, if you wanted these all written down.

Hi,

  So I picked up Mortal Coil this weekend and breezed through it.  Looks very slick, but I think I'd like to see a real example of a conflict broken out round-by-round so that I get a better feel for how it works.

  Here are my main sticking points:

  1.)  I'm not clear on why you would take multiple actions when it's only 1-on-1.
  2.)  I'm unsure what happens when you have "parallel" actions (to borrow from Shadow of Yesterday) and both sides win against the default defense.
 
  In the "get out the door" example used in the book.  If one person uses Dancing to skip out the door and the other person uses Fast Talk to get them to stay, do those directly oppose one another?  I wouldn't think they would.  So one person skips out and the other person convinces them to stay.  Does that mean we go another round?

  An extended example of play is the only thing the book seems to be missing and I'd really appreciate one.  Perhaps there's something in Actual Play/Playtesting?

later
Tom

Hi Tom,

In response to your #1, above - say you have, like, 7 action tokens, and you're in a fistfight, right? Well, you could put all 7 into Force, and punch the other guy real good. But he could also put all his tokens into Force, and you both punch each other real good. Or, you could take multiple actions, and put 4 onto Force to punch him and 3 onto Grace to dodge whatever he's gonna do. Then, if he puts all his tokens into punching, he'll punch you less good, and you'll still get a lick in.

It's a tactical option that I agree isn't really apparent upon a first read. But, if you have more than 3 or 4 Action tokens, taking multiple actions in a conflict is usually to your advantage, especially if you can think of doing something that is totally off-the-wall while still fulfilling your goals, because you're opponent probably won't be defending against it.

For #2 - good question. Personally, I would either go another round, or see if one person has a higher margin of success than the other.

Nathan wrote:
In response to your #1, above - say you have, like, 7 action tokens, and you're in a fistfight, right? Well, you could put all 7 into Force, and punch the other guy real good. But he could also put all his tokens into Force, and you both punch each other real good. Or, you could take multiple actions, and put 4 onto Force to punch him and 3 onto Grace to dodge whatever he's gonna do. Then, if he puts all his tokens into punching, he'll punch you less good, and you'll still get a lick in.

It's a tactical option that I agree isn't really apparent upon a first read. But, if you have more than 3 or 4 Action tokens, taking multiple actions in a conflict is usually to your advantage, especially if you can think of doing something that is totally off-the-wall while still fulfilling your goals, because you're opponent probably won't be defending against it.

I don't see how knocking out the prosecutor can possibly achieve the stakes in this situation. This is an area where common sense should rule.

I've been thinking about the bluegargantua's problem No. 2 as well, and I think I've come to the conclusion that those actions are directly opposed: the Fast Talk seeks to prevent the Dancing. Therefore they should be matched against one another to see who succeeds. The rule book contains the example of someone trying to talk down someone who's trying to shoot them, and it implies that those actions are directly opposed, though it doesn't explicitly say that the numbers are matched against each other. Could you confirm one way or the other, Brennan?

Contemplating it more, I agree. They are directly opposed, and whoever wins the conflict can successfully perform their action.