So, this is somewhat late, but, over the course of two more sessions, we finished up the With Great Power... game I first posted about here.

The short version: Blue Diamond and the Hypernaut managed to thwart Jove's plan to forcibly evolve all of humanity into Jovian-hybrid bacteria people.  The Hypernaut ended up questioning his own crusade to make humanity part of galactic civilization and the Blue Diamond maintained his media friendly poise throughout the whole ordeal.

We ended up playing 17 scenes over three sessions, with a total play time of about 7 hours.  I got the sense that we were moving rather slowly - or at least that we bogged down whenever we had to set stakes - although James mentioned that he thought the game was over too quickly.  I think he meant that he felt that the mechanical end of the game (the Villain's plan being devastated) was a little out-of-synch with the narrative arc.  (Is this what you meant, James?)

Here are some of my comments/concerns (hopefully Eric and James will pop in with their own):

Almost every GM Enrichment scene seemed to fall a little flat as we approached the time to set stakes and play cards.  In Player Enrichment scenes, this wasn't (usually) an issue, because it the players were pretty clear with what they wanted and all I had to do was find someway to act against them.

However, in GM Enrichment scenes, while I was able to figure out what my Villain wanted, it was kind of a drag to have to play my own opposition.  While I realize that the players can contribute to coming up with opposing stakes (and they did), I got the sense that they balked a bit because they didn't want to derail the plan.  (I could push harder against them than they could push against me.)  It ended up that a lot of the time the card play in the GM Enrichment scenes had no teeth.

For instance, in the final GM Enrichment Scene, Jove had broken into the HQ of Blue Diamond's parent corporation (he needed their technology to enact his evil plan).  I chose as my stakes: "Jove demoralizes the Lodge Corporation" - that is, when the heroes showed up, all the Corporation security guards and scientists would be too scared to help out in any way.  The opposing stakes were: "The main scientist manages to sabotage Jove's work."

I think my stakes were OK (they would constrain the color of how the final battle played out), but the opposition stakes are basically meaningless.  If I had lost (I didn't) we could have narrated that Jove suffered a momentary setback, but that setback would have no bite to it.

It wasn’t easy to come up with stakes that make sense both in terms of the story and in terms of the mechanics.  Part of the reason we got bogged down around stakes setting is that because you can't permanently change an Aspect until it is Devastated, figuring out which stakes are allowable is a bit trickier.

Another part of the problem was that I didn't focus my GM Enrichment Scenes enough on the Struggle - and this brings up another issue I had: there are a lot of things to keep track of in WGP... play when compared to, say, PTA.

In a given scene in PTA, all everyone has to focus on is the character's issue.  The player frames a scene to highlight his or her character's issue and the Producer pushes for conflict that puts pressure on the character in an issue-relevant manner.  But GMing WGP..., I had to keep in mind the Struggle, the Plan, and whatever Aspect was highlighted at the moment.  Brining these things into alignment on a scene-to-scene basis and distilling them into stakes was not easy and I'm not sure the game was ever really firing on all cylinders.  It kind of reminded me of my first experience of GMing InSpectres when we completely underplayed the start-up/office element.

And, spinning off of that, I feel that I could have pushed the Struggle (Tradition vs. Progress) more, but I also think that the Struggle itself ended up not being that engaging.  Or maybe a better way to put it would be that we all found it hard to picture what the Struggle might look like in the idiom of four-color fisticuffs, so it ended up fading into the background.

In general, the Conflict Scenes went really well.  The final Conflict Scene was over a little bit too quickly, though, partly because I completely underestimated the advantage the players would have by the end of the game and because I was caught up in narrating the battle, I forgot to assess until a few rounds had already gone by.

I'm focusing on the problems, but I do want to make it clear that we all had a very good time and I think a lot of what I struggled with is pretty normal when it comes to learning a new game.  I definitely want to play again: there are a lot of things about the game I love (everything having to do with Suffering, the Story Arc, the tactical game-play element).

I have a few more comments, but I'll wait to see if James and Eric have anything to add at this point.

Jon - I want to comment a lot, but I'm late to class.  My quick comments:

1.  I was sweating at the start of this session!  I had 2-3 aspects devastated: I'd lost my powers, I'd given up on my convictions, and the bad guys had a bead on my secret ID.  From a superheroic perspective, that's almost as bad as it can get.

2.  However, if anything I felt the "tables turning" aspect of WGP, where the worse you do along the way, the more power you get at the end, was far too generous.  As I recall, I won prettily handily at the end, which felt kind of anti-climactic.  It didn't take cunning or skill to wiggle out of that precarious situation I was in; the mechanics did their thing and I just went along for the ride.  It made for a good story, but I didn't feel as strong a sense of triumph as I'd expected. 

3.  I think the stakes all around were a little flat.  It might have been because we made conflicts out of non-conflicts.  Like, for my money, getting trapped in that 2D prison should have occurred no matter what; same deal with exposing some of the character's possible racism.  Or (though it wasn't my character) that Verizon Girl was pregnant.  Like, sometimes unexpected things happening could just be accepted into the SIS, rather than turned into conflicts--if everyone's into the changes.  Conflict Res, as I understand it, is really about what the players want, rather than the characters.

James_Nostack wrote: 3.  I think the stakes all around were a little flat.  It might have been because we made conflicts out of non-conflicts.  Like, for my money, getting trapped in that 2D prison should have occurred no matter what; same deal with exposing some of the character's possible racism.  Or (though it wasn't my character) that Verizon Girl was pregnant.  Like, sometimes unexpected things happening could just be accepted into the SIS, rather than turned into conflicts--if everyone's into the changes.  Conflict Res, as I understand it, is really about what the players want, rather than the characters.

Jon wrote: However, in GM Enrichment scenes, while I was able to figure out what my Villain wanted, it was kind of a drag to have to play my own opposition.  While I realize that the players can contribute to coming up with opposing stakes (and they did), I got the sense that they balked a bit because they didn't want to derail the plan.  (I could push harder against them than they could push against me.)  It ended up that a lot of the time the card play in the GM Enrichment scenes had no teeth.

Eric wrote: You mean...  we could have derailed the Plan?  Maybe I've been reading too much Capes, but I assumed that the Plan itself was mechanically protected from actually being derailed -- that to do so, we'd have to Devastate that Aspect.

In the con game I played, the GM made a distinct difference between the Plan with a capital P, and plan with a lower-case p.  Several times I tried to foil the villain's "plans" - and succeeded - without foiling the Plan, which was still continuing, even if he had to figure out a different way to approach it.

So, imho, the plan the villain currently had - easily derailed.  It doesn't devastate the Plan.

Does this help?

Hi Alexander -

I think that's generally how we played it: at one point early in the game, for example, I lost a conflict and my villain ended up captured by Blue Diamond.  This set up the next scene - "Jove escapes!" - but it begs the question: why fight hard to capture the Villain (or do anything to him) if nothing can really happen until an Aspect is Devastated?  The answer, I think, is to set stakes that you can't just ignore - but trying to set those kind of stakes led to us getting bogged down.

See, this is what I liked about our initial conflict: one of the stakes was, "If we win, Jove is actually helpful, instead of harmful."  So it's a case of trying to thwart some frustrating benefactor, rather than a scheming supervillain.  So, the Plan itself was still the same: antagonist wants to transform the human race into something weird.  But the interpretation is completely different.

James_Nostack wrote:
See, this is what I liked about our initial conflict: one of the stakes was, "If we win, Jove is actually helpful, instead of harmful."  So it's a case of trying to thwart some frustrating benefactor, rather than a scheming supervillain.  So, the Plan itself was still the same: antagonist wants to transform the human race into something weird.  But the interpretation is completely different.

Jon wrote:
But if we had interpreted those stakes to mean that turning humans into mind-controlled, Jovian-hybrid, bacteria pod people was actually helpful - well, that's a pretty huge change in interpretation.  Too huge, I think, to come about through a GM Enrichment scene, and, perhaps, the kind of change that is simply outside the scope of any kind of conflict resolution.   

James -

Actually, I think this might be a point where there was a big disconnect between us: I wasn't interested in overturning super-hero tropes (even if the game did support doing that, I wanted to play it straight the first time through), so even if I had the opportunity to do so, I wouldn't have.

One of the steps in setting up the Plan requires the GM to get a clear picture of what "Capturing" the Strife Aspects looks like, so I'm not sure that such a radical change would have worked.  And this isn't just a question of me being able to process it: I did not want to process it in a way that would undermine my conception of the villain, and require - essentially - an entirely new Plan.  (By the rules it seems, the Plan is not just about devastating Strife Aspects, it is about devastating those Aspects in a fairly specific manner.)

Again, as a personal preference, I'm not sure that I like it if huge re-interpretations are decided by a flip of the cards - especially the first flip of the cards in a game.  I think you're right that without any risk, the scenes are flat.  My problem is that I'm not sure exactly what should be risked and your suggestion - that I should risk my interpretation of who the Villain is (a bad guy) - doesn't really work for me at all.  Partly because that kind of re-interpretation would have been coming out of nowhere, instead of being firmly grounded and organically grown out of what had already been established in the SIS.  (Remember - this was the first scene in the game!)

At this point, it might be helpful to see examples of other groups' GM Enrichment scenes to see how they have dealt with this issue (or if it is even an issue for them).

As I said before, we really didn't have the same problem in Player Enrichment scenes, although I think we did struggle when there was a tie and we had to come up with escalations.  In these cases, we were already setting big stakes, so we didn't really have much room to escalate, without changing the arena of the stakes.

Jon wrote: Actually, I think this might be a point where there was a big disconnect between us: I wasn't interested in overturning super-hero tropes (even if the game did support doing that, I wanted to play it straight the first time through), so even if I had the opportunity to do so, I wouldn't have.

At this point, it might be helpful to see examples of other groups' GM Enrichment scenes to see how they have dealt with this issue (or if it is even an issue for them).