Hi all,

I just ran a second session of TSOY after the one described here: http://www.indie-rpgs.com/forum/index.php?topic=24038.0. Glad to say it seemed to go a lot better this time, despite having only me and two players.

We actually used BDTP twice this time (compared to not at all last time). I was a bit confused about how best to do it with three or more characters at once, but we ended up doing something not unlike Eero's rules (and we'll adopt those explicitly in any future games). 

A few issues came up:

1) One thing that confused us was how restrictive intent in BDtP is meant to be. For example, if my intent is "have this bastard begging for mercy" then it would seem reasonable that "try to knock his weapon out of his hand" is an acceptable action within that intent. However, the Secret of Disarm states:

Your character can disarm an opponent, without changing intentions

Rob,

I always never know how to answer this stuff (and usually sit back and watch Eero answer better than I would have) because the answer is invariably, "That's up to your group." This is an important part of TSOY: your group is intended to make decisions about how you will interpret the rules. For example, I might allow your disarm action as part of BDTP - maybe - without changing intention. But there's plenty of circumstances in which I wouldn't, that that Secret is useful. (Plus, that Secret is useful because all sorts of stuff is a weapon in all sorts of situations, so you can always remove weapons without changing intentions.)

Same with social skills vs PCs. I use this all the time, but I know people who don't, and that's fine.

Rob wrote:
1) One thing that confused us was how restrictive intent in BDtP is meant to be. For example, if my intent is "have this bastard begging for mercy" then it would seem reasonable that "try to knock his weapon out of his hand" is an acceptable action within that intent. However, the Secret of Disarm states:

Your character can disarm an opponent, without changing intentions

which implies that this would normally require a change of intent. Can anyone clarify?

2) How to people feel about the use of Sway, Intimidate etc against PCs? I'm keen on the idea in general but I'm concerned that, especially when coming from an NPC, this could be seen to be deprotagonizing because their decisions about how to act are being taken away from them. I know that there's controversy about this is DitV, and there's the "No mind control" rule in Sorcerer too. How do people handle this in their TSOY play?

3) One of the players, when looking over the list of secrets, said "there's quite a combat bias here". I think he's attracted to the non-combat options (e.g. using the Sway and Orate abilities) and feels that they're a bit sidelined in the rules as written (e.g. we have Disarm, Mighty Blow, Signature Weapon etc, but only three secrets that are social in nature (Animal Speech, Contacts, Inner Meaning).

Anyone got any interesting ideas for social secrets?

4) The same player also commented that we seemed to be relying heavily on Sway, Resist and combat abilities to the exclusion of all others. I'm inclined to agree with him there (although there was a bit of Stealth, Deceit and Etiquette in the session too). Any idea how we can combat this and get a bit more breadth of use?

5) Amoux's player is still finding it hard to hit his keys. He now has Self, Power, and Bloodline (Royal House of Maldor). Could anyone give us any advice on how to hit these effectively in play?

Eero wrote:
Unfortunately, I don't feel like I have enough time to read the session description itself at this time. I'm a tad busy at the moment. Anybody else?

Rob,

I'll strongly second Eero's suggestion about things which should and shouldn't be conflicts-- eerily enough, we call it the "You can't get there from here" scenario in our TSOY games, and the example of flying to the moon is the one we always use. Did that come from the forums originally? Is it just because the moon is so prominent in TSOY, or what? I don't know. Spooky. But fun.

In terms of hitting Keys, I confess I'm confused as to why players are having trouble hitting them, unless we're talking about players who are just very passive around the table. Is the lack of Key payoff a result of a player who is recalcitrant to take bold actions, or one who keeps taking actions that have nothing to do with his Keys? If its the latter, its time to take out that Key list, run some Buyoff scenes immediately, and pick some new Keys. If its the former, I suspect it has less to do with the system than the player him/herself, but let me pose a few ideas which might help all the same...

Self: This one needs some set up, I always feel, so there may be onus on you to create situations wherein the Key can activate. I know not everyone agrees with that stance, and thinks players should be the primary motivator around the table, but I'm not on that bus. I mean, why are you sitting there if you aren't contributing as much as they are? A character who chooses the Key of Self is asking to be put in interesting situations wherein he turns inward rather than outward. You do that player a disservice by never putting him in that situation, as much as if the character had the Key of Bloodlust and never met a person who opposed their intentions, or had the Key of Pacifism and you only let them play in the smurfiest setting possible, where no one ever hurt anyone else or tried for violent conflict.

Power: As long as there are interesting social politics going on, this Key should never be hard to hit. Any contest wherein you trick another into doing what you want should hit this Key, as should showing yourself more impressive than an opponent, whether thats in a battle of wits in a courtly scenario or a duel to the death in a back alley. Players with the Key of Power need to be ready to achieve greatness by climbing a mountain of bodies to get to it, and that's fun. Make sure, as Storyguide, that you're providing said bodies, and offering challenge to the player.

Bloodline: Okay, I'm going to assume that, at the very least, you've created Storyguide characters who the elf in question is related to who are running about and doing things. Simply enough: put them in some sort of trouble. Even better, if you can: put them in a situation where they serve as an obstacle for another player's Keys, so that there's a collision course between this elf and another player. That tends to be a rich source of Key payoff, because (at least from my experience) players can be quite inventive and cut-throat in their opposition of each other's goals, especially when there's narrative importance to both players' Keys.

I also am a real sucker for the "Key vs Key" scene, wherein dramatic tension is provided by presenting the player with an interesting situation where either Key could pay off, but it'd be unlikely for both of them to. These sorts of choices can be fun dramatic moments which define characters, and they're also win-win, so they lead to warm fuzzy feelings around the table. In some cases, they even become Buyoff scenes, as a player goes for a follow-up to that scene which immediately changes what the character in question is all about. Some obvious ones from the Keys you have set up above:
* One or more family members get in trouble in a public place, and call out for anyone to assist them. No one does,but the elf player is in the crowd. Hit the Key of Self for ignoring them, or hit the Key of Bloodline for helping them? Exciting follow-up if the player does help, and the family members want to know who this strange elf is and why s/he helped them?
* A family member ends up becoming a rival or problem in the character's personal ascension towards their goals. Crush the annoyance (fulfilling Power), or spare them, or even help them (playing to Boodline).
* A powerful noble offers the elf great riches, station, or what-have-you if he will devote himself as an advisor and counselor to his spoiled brat of a child. Accept the job, and have all sorts of potential access to nobility, and provide all sorts of opportunities for the Key of Power, or refuse it because its a nuissance and will eat up so much time, and hit the Key of Self.
* The elf and a family member are dangling from a cliff together, and the rope they're hanging on to is breaking under their combined weight. Ditch the descendant in a brutal betrayal as he tumbles to his death (hitting the Key of Self big time, and maybe Power depending on how twisted you are), or make the supreme sacrifice and take the plunge yourself (hitting Bloodline, maybe even buying off Self if the player asks for it).

And, because I love crunch so so much, and because you asked for it, here's some social Secrets to add to your meditations. Note that some of these use house rules (a Gossip ability, for instance, and a rule called "Let it Ride" imported from Burning Wheel, I believe), but they should be fairly self-explanatory.

Warning: this is the "season to taste" section of this post. Not all Secrets suit all play styles. Your mileage may vary. Let's all be good little Near Goblins here, and remember that your shoes only taste good in my soup, but my brother is only interested in eating anything made of copper.

Secret of the Ally
You have a friend or other strong contact (perhaps a family member or former lover) who occupies a position of power or prestige, and whom you can call upon for assistance. A successful Sway Ability check with this individual results in a pool of bonus dice equal to the SL of the check +2, which can be used to accomplish a task the ally aids, representing gear, manpower, and other assistance. This assistance must be related to your ally’s field of expertise, however; a bureaucrat cannot provide mystical might, while a criminal lord probably has little truck in the wilderness. Once one of these bonus dice is used, it is gone. Cost: 2 Reason.

Secret of Audience
You may not necessarily be of high station, but you have found an avenue to petition higher powers. Perhaps you’re a relative of a powerful ruler, or your family received special privileges thanks to an ancestor’s accomplishments. If you spend 3 Reason, you are granted access to important political and spiritual figures thanks to your special privilege. You must then make Sway, Orate, or Etiquette checks to persuade them of the importance of your case, and there is no guarantee that anyone of power will grant your request or believe your story, but you at least have a chance. Cost: 3 Reason.

Secret of Discreet Inquiry
You are talented at making polite inquiries about delicate subjects without arousing suspicion. When you try to find out information by convincing someone to tell you more, or examining their lies (essentially making either a Gossip or Discern Truth Ability check), you can spend 1 Reason to force your opponent to defend passively, using Will rather than their Deceit. If you roll higher than their Will check, the opponent reveals information to you but does not realize he has divulged anything of value. Cost: 1 Reason

Secret of the Emotional Bond
You have a link to another person, either a Player Character or an NPC run by the GM. For some reason, you are always able to find this person through an instinctive link to them, and you can tell when they are in pain or danger, receiving flashes of emotional insight. In most cases, this Secret manifests in family members, lovers, life-long friends, or beings who share a spiritual kinship or who experienced a singular mystical or traumatic event together.

Secret of False Identity
You have a cover story which keeps others from learning your true history or origins. Most people won’t even suspect the story, but those who do must make a Discern Truth or Investigate check to ferret out any facts about you, which you resist with a Deceit Ability check. You always add an extra die to Deceit checks when covering your history. You might be a spy, or a costumed vigilante, or simply someone with secrets to keep.

Secret of Improbable Disguise
You have a wide array of useful and convincing disguises, either on your person or hidden in useful nearby places. These disguises are impressive, and allow you to pass more easily as your subject; when you use them, you add a bonus die to all Deceit or Stealth Ability checks to appear as the person you have disguised yourself as. Cost: 2 Instinct.

Secret of Inspiration [essentially the Secret of Blessing redone for a more social game]
Your words are an inspiration to others, filling them with a passion for any course of action you advise. When you spend 1 Soul, you can make an Orate Ability check to provide bonus dice to your allies, creating a pool equal to the SL of your check which any ally can use to accomplish your stated goal. Cost: 1 Soul.

Secret of the Local Hero
You are celebrated in your community for championing the weak, helping the needy, or some other action of generosity, bravery, or wisdom. You receive minor favors for free in the community, and you add a bonus die to Sway and Orate checks with people who live there. However, you are also known as a leader of the people, and may be targeted by rivals who would hold your position, or forces who threaten the community. You take a penalty die on Stealth and Deceit Ability checks in your community, as everyone knows you, or thinks they do.

Secret of One Thousand Kisses
Your romantic life is exciting and rich—you have a steady supply of paramours, both benign and dangerous. You can always refresh your Instinct during downtime, simply by dallying with these lovers, no matter where you are. You receive a bonus die on all Gossip Ability checks related to trysts and romantic intrigue.

Secret of Watchful Eyes (aka "The Sherlock Secret")
You are always watching for small clues which can tip you off about a person’s origins, past, or recent actions. You can spend 1 Reason and make an Discern Truth ability check to make a “cold read” of a person you have just met, sizing them up by mannerisms or subtle clues. For every SL you achieve, the Story Guide describes one minor clue which reveals something you might not have known about the character otherwise. This Secret is susceptible to the “Let it Ride” rule—unless the situation changes significantly (such as the character returning from an unusual errand or trip), you cannot “meet” the character and use this Secret’s effects a second time. Cost: 1 Reason.

Here's two Ammenite ones which I'm eager to use at some point:

Secret of Double Speech
Ammenite courtly culture prizes innuendo, back-handed compliments, and insults too subtle for the offended party to notice. You have a talent for such subtle speech. You can make a Conspiracy or Deceit check to convince one person you said one thing, while actually conveying an entirely different message to another. The person you are attempting to mask your message from must make an appropriate Ability check at a higher rating than your own to understand the message, or else he misses it, and believes what you wish. As long as you achieve SL 1 or higher, the intended recipient still understands the message.

Secret of the Propogandist
You can control what the popular party line is in an area in which you live, either through the spread of gossip or through official decrees and announcements. When you make an appropriate ability check (typically Orate), you can spend 2 Reason and 1 Instinct to enforce this statement on others as the popular belief. Unnamed characters believe the story you spread by default, unless they are convinced otherwise by named characters. Named characters can resist propoganda passively (with a Will check) or actively (with another ability check). Cost: 2 Reason, 1 Instinct.

Regards,

-shadowcourt (aka josh)