So, in working on Gods I took a look at Capes and decided it could really do just about anything. Tony, I think you've said before that Capes will only tell superhero stories, but I am unconvinced! Obviously! ;) But since I love the system so damn much I've been figuring out how to apply it to other settings and thinking about ways I could tweak it.

Abilities - Checkoff and debt-incurring abilities are basically character thematics and shticks. Debt-incurring abilities are the character thematics that really make the character who they are and don't have to be superpowers. In one game I had one of my "superpowers" as "Smoke cigarette." Checkoff abilities are similar shticks, but lesser ones that don't come up as often.

Drives - Drives are game thematics as they relate to the characters. They push the conflicts you will see in the game over and over and over. If I take a high Fear drive, we're going to see a lot of Conflicts about Fear. If you change these, you change the themes of the game. If I run a game that's epic fantasy and I give my character the Drives "Courage," "Heritage," and "Loyalty" then it will be very different than a game with the prepackaged Drives. Debt, then, is what pushes people to address those themes and keep coming back to them, and rewards the other players for engaging those themes. When I take a high Drive I'm saying, "This is what I want the story to be about - please push Conflicts about this!"

Conflicts: While I like the Event/Goal setup, essentially what Conflicts are doing are asking questions and deciding who has the authority to answer them. What will happen when the bomb goes off? Can Dr. Hell be convinced to help fight the alien invasion?  However, the questions do not have to be limited to character or events. The can answer questions of setting, laws of reality, and so on. If someone wants to bring fairies into the game, I can come up with a Conflict to make them fight for the existance of fairies.

Inspirations: Really, they're just a mechanism for maintaining narrative continuity. Man, come to think of it, I'd love to do a time travel game where Inspirations are used to explain effects across the timelines.

Any thoughts on these?

I am ... skeptical ... about the claim that Capes can do anything.

Fundamentally, I think it drives a certain message very hard, and that message is (roughly) "How committed you are is the single most important factor in determining success or failure."

There are plenty of quite serviceable stories that put forth different (or, indeed, exactly opposite) messages.  I think that using Capes to do noir detective fiction or puritan cautionary tales would be ... wonky.  Sort of like using Toon to do stories inspired by H. P. Lovecraft.  It could be done, but it's going to be a damn strange matchup.

Can you combine any genre elements with Capes?  Sure.  It's easy to make it agnostic in that way.  But even our Sin City run (of the famous "Smoke Cigarette" power) was very different from a story like Maltese Falcon.  Does that distinction make sense?

But that's assuming that Drives are automatically making a narrative statement about Commitment. If we change what the Drive mechanic is used for, doesn't that change the statement?

Say Drives become Genres instead, and when I wager Debt on a Conflict it's because that Conflict is Genre-appropriate rather than a statement about what the character is committed to - is it still a statement about commitment?

I don't think Capes can do anything either, but I think Capes's underlying mechanics can be divorced from superhero genre and can be used for other things. And that's what I'm trying to do, because I love GMless, I love the competitive nature of Capes, and I'm positive other things can be done with it.

Bret wrote: Say Drives become Genres instead, and when I wager Debt on a Conflict it's because that Conflict is Genre-appropriate rather than a statement about what the character is committed to - is it still a statement about commitment?