This is my thread for the [sic] Setting In A Can challenge. I'm selecting Set A:

SET A
Setting: high fantasy.
Theme: revenge/treasure hunt story.

High fantasy, to me, means that anything can happen in this setting. Powerful magic and fantastical creatures abound. There's some measure of Good and Evil.  This game is simultaneously about revenge and treasure, because you're on a quest to retrieve the one item or character that the Enemy has taken from you.  That fits perfectly with High Fantasy, of course.

Because of its shortness, the game will rely on in-game setting creation and simple conflict resolution rules.  It needs to be front-loaded with issues that drive the game forward and a way to incorporate more stuff later in the game.

Here's the first brainstorm bit:

CHARACTER AND SITUATION

Create your character by answering the following five questions about her or him:

What angers you?
What fulfills you?
What scares you?
What arouses you?
What awes you?

Then build the backstory using those elements.  The backstory explains how you know the Enemy, how you came to trust her or him, and how the Enemy took from you your most valuable something (either an item or a character). 

The Enemy needs to be linked to at least TWO of these elements.  If only one player is playing, two from their list.  If two or more players are playing, one from each list, with no two being from the same question.

Each remaining element needs to be represented by either an NPC or a setting element in the backstory and thereby in your setting.  So if you’re scared of spiders, either a spider-like NPC or a group or area of spiders needs to be in the backstory. 

Well, remember about the requirement of instant playability - answering such general questions might take some time if the player encounters "blank page syndrome". In order to answer these questions, I'd need to have a clear concept in mind in the first place, I suppose.

I think it could be easier to do if you provide something to derive these answers from. Maybe picking a combination of race and class/guild/culture or whatever could give a good start, with lists constructed in a way that the choice would prompt some answers. Or, maybe a number of examples for each question - or possibly a closed list - could do the job.

Also, I'd suggest moving creation of the backstory to the play itself - i.e. the first scenes could serve fleshing out each element. This could be a good point to involve other players, too - e.g. another player frames the scene for you. He sees "spiders" on your sheet, and so, you find yourself trapped in the temple of the Spider God.

Different idea - you can answer one of questions like these to gain somehow upper hand in conflict.
What does bigbad did to you?
Why d'you want to avenge?
Etc.

It could make story more personal and push the plot forward, not to mention revenge flicks flashbacks.

Thanks for the feedback.

I figure a list of classes or whatnot would take up too much space that I can't spare in 4 pages :)  But I will list examples, definitely.

Hmm. I'm going to think about having the backstory explored in play. Maybe it could be the very first scene that's being played, sort of like a Dogs initial conflict.  Having other players bring in the elements from the sheet is a good idea.  I have yet to decide whether this is a rotating-GM kind of deal or a more traditional setup.

Heh, you might still be surprised with the amount of spare space you can find yourself with ;)

Anyway, I asked myself how much the player would really have to define before he starts playing to still have a fairly fleshed out character later. My conclusion was that it's close to zero. The game could pretty much be started with a nameless and faceless character, with statistics and all at some default level - and then the player would add more flesh with the game's progress. This is the easy part, as far as instant playability is concerned, as this doesn't have to hurt the fun factor of the game in any way.

The main problem with it is, I think, that there needs to be something that would give everything the initial push. If it's not in the character (i.e. no motivations, no flags, no anything), it must be either setting or situation, obviously. If setting and situation are more or less open for definition, it certainly can be tricky to provide the tools that would facilitate coming up with a strong starting point in few minutes and still have enough material for the game to be fun.

My experience from game-chef is that if you what something in the game, it is best to approach it as directly as possible. So if you want some situation/character creation question up front, it may be better to make them more direct, like:

Who is your enemy?
What have they taken from you?
Why is that the most important thing/person to you?

- Anders

Hmm. I do want a situation creation at the beginning that directly ties into the characters. I don't think that answering these questions should take more than a couple of minutes.

Though maybe it's easier to have the players write down concepts first, and then randomly draw and assign them to their character. As in, everyone writes down 5 concepts, put them all in a hat, draw 5, and assign them to the 5 initial questions. That way people can interpret what it means during the game.

Well, last week we've been creating characters for DRYH, and coming up with character concepts and answering five questions took as over an hour. Sure, it doesn't have to take that much time to come up with some answers, but I think having something that would ascertain that "blank page syndrome" doesn't hit wouldn't hurt. If the game is about to be instantly playable, it needs a built in ignition spark, I think.

I expect finding this "ignition spark" to be the tricky part of most designs in the challenge.

The idea with mixing concepts in a hat sounds nice. It should create an interesting and inspiring setup easily.

Still, I suggest a list of examples from which the concepts could be taken straightaway. Even with 10-20 concepts per question, it's only 50-100 words altogether - it's only a fraction of the wordcount you can fit in four pages, and it would give the players something to immediately work with if they find themselves clueless.

Alright, alright. :)  I'll provide a premade set and encourage people to create their own. :)

Now I have to think about the rest of the game, and whether to have a set budget process for getting to the Enemy.

I concure Ander's idea about strong, plot pushing questions.
Thing is how much should be answered before the game to get it started.

Drawing from the hat - it could make really weird characters and trouble with
putting randomly chosen answers into right context. Everyone's different
and has different vision of what's revenge and what's important. These visions
could clash in random generation.

With good questions, you could start game with everyone answering only one
question and mixing them all in mighty bang.

The one strong question idea sounds good. There's still a problem of how far such "ignition spark" would push the game before burning out. However, it could be repeated after some time - e.g. another mixing after every round of scenes, or something in these lines.

Alright, alright. :)  I'll provide a premade set and encourage people to create their own. :)

Further development:

This is a GM-less game.  It's high fantasy, so there's going to be a party of heroes, and we all know who the villain is anyways and that they're going to overcome it.  So the question is simply what happens on the journey, how do the heroes get to the finish, and what do they inflict and sacrifice to get there?

There will be spotlight turns.  Each player sets a scene with their own character as the focus, including at least one setting element.  They pick the type of scene, and the choices will include combat, temptation, foreshadowing, bonding, and more.  The scene types will be provided and each have their own little twists. In order to keep all players involved and make up for the lack of GM, players can introduce setting elements in other people's scenes for a bonus. These can be new ones (must relate to one of the five questions, though) or already established ones.

Characters have a couple of attributes that will be used during these scenes. Right now, I'm thinking along the bigger lines of Combat, Willpower, and Charisma.  You pick the mood of the game before it starts and divide up points among them: Gritty = 8 points, Heroic= = 10 points, Epic = 12 points.

To figure out how the scene goes, roll a D6 and add the attribute that's required per scene style.

1-3: failure, horrible stuff happens
4-6: setback, something bad but not horrible
7-9: good showing, progress is made
10+: total victory, narrate your Legolas scene as you see fit :)

The players gain certain points through these scenes and depending on their rolls that will eventually be used to get closer and finally confront The Enemy.  I have yet to figure out the exact economy of these points. I would like the final roll to be something like Otherkind, where you roll three dice and distribute them to whether The Enemy is defeated, whether what was taken from you is recovered intact, and whether you survive.

Sounds good! BTW is the term Legolas scene protected by any law or something? This is the coolest thing I've heard in the last few days... :))

Aha, that's a good observation. I think Legolas actually might be trademarked.

I like the idea of specific scene types. Basing attribute on the scene type also sounds good, especially if each type will be needed at some point (i.e. no uber/useless stats on the sheet).

I'm not sure about the Otherkind style roll for the endgame - i.e. it doesn't seem consistent with normal resolution. However, three separate conflicts in the last scene (i.e. one for each stat) that would determine the aspects of victory as per normal resolution could be the way to go.

Some mechanic for assisting spotlight character could be good here as well, I think.

Three separate rolls, one per stat, is exactly what I figured out:

SHOWDOWN

When the Counter reaches or surpasses 20, the heroes confront The Enemy.  Set the scene all together, bringing in your favorite setting elements.  Make sure it’s sufficiently dramatic.  Roleplay up to the point of the showdown.  Now it’s time to roll the dice and see how the adventure turns out for our heroes. 

There are three goals each character has when confronting The Enemy.  The first one is shared while the other two are individual goals.  Before you begin rolling, select which of your attributes you are going to use for which goal.  You can only use each attribute once, so all three attributes are going to be used.  Before and after the roll, narrate your actions toward the goal according to the attribute you’re using.

During the showdown, any result of 8 or higher is a success, and any result of 7 or lower is a failure.

Defeat The Enemy: All players roll against this goal.  If no player scores a success, The Enemy is unscathed and remains in power.  If up to half of the players succeed, The Enemy receives a minor setback.  If more than half but not all players succeed, The Enemy receives a major setback.  If all players succeed, The Enemy is permanently defeated.

Recovery: Each player who succeeds on this roll recovers safely what The Enemy had taken from their character.  Everything that is not safely discovered is permanently destroyed or killed during the final struggle.

Survival:  The character of each player who succeeds on this roll survives the showdown.  The characters of players who fail this roll die valiantly.

I like the ticking clock syndrome, nice idea for a game like this.

It adds a sense of urgency to the game.

V

sounds interesting, however im having some trouble seeing that the bonus are, when people introduce elements in another characters spotlight sessions. But i think its a good idea, to keep them involved in every spotlight session.

One thing im not quite sure about, is how the twists are taken into account depending on the scene, im having a hard time guessing that. Secondly i was wondering if you could tie those scene twists into the original drawn or chosen concepts, allowing each a possibility to shine within his own concept ( hmm not sure im making myself perfectly clear here, but the best i can do, with my limited english )

Chris