I need help with a Body/Size/Strength/etc. stat.  I have experimented with a lot of Ideas over the years.  I need it to be universal, like Mayfair's MEGS system (covers an atom or a warship), but MUCH simpler.  See my game has only 1 stat: EGO, which represents all the character's negative traits.  This is a derived statistic determined after the actual character is created.  the game is solely d10.  Skills are handled like in FUDGE where they are descriptive or assumed.  No DEX or INT attributes.
The design philosophy is to glorify the complexity of the universe by being extremely simple.  This all works great till we get to the "Game Time" Combat section.  There must be rules for this, but I can't seem to make them simple enough and realistic enough at the same time.  I like CoC's Size stat because it goes up so high, but I do not like the Idea for "Hit Points" or damage bonus dice.  My Action/Reaction system includes a vehicle for damage amounts and I have it simplified to 0 = no damage and 10 = greasy stain.  The ascended master Yoda said "Size matters not", but I need to have a simple way to incorporate those pesky combat rules into my game.  I do not feel that they are obligatory.  I don't want to just throw something in.  I want it to flow with the rest of the game.  The Damage system was designed to be simple, realistic and deadly, if maybe a little vague (Narrators! do your job!).  Please Help me!  This you are my only hope!

Theater Of ThE Mind (TOTEM) has been my little brain puppy for about 15 years.  First of all I do not claim to be fully awakened.  TOTEM is a game that simulates among other things, the philosophy in "Illusions" by Richard Bach.  That's all.  System was inspired by Call of Cthulhu, CORPS, Interlock and FUDGE.

1.) What is your game about?**
Becoming fully aware.  Destroying EGO.  overcoming Fear.

2.) What do the characters do?**
Adventure and relate and evolve till they destroy their EGOs

3.) What do the players (including the GM if there is one) do?**
Learn how to destroy their own EGO by role playing.  Have a "realistic" fun time with minimal rules.

4.) How does your setting (or lack thereof) reinforce what your game is about?
Any setting where there is hardship and turmoil is a challenge for characters to destroy their EGO

5.) How does the Character Creation of your game reinforce what your game is about?
Size matters not, nor does your skills, only your negative traits and EGO

6.) What types of behaviors/styles of play does your game reward (and punish if necessary)?
Punishes those that are power gamers and rewards those that can role play destroying EGO

7.) How are behaviors and styles of play rewarded or punished in your game?
Saying "Can't" causes EGO to increase, Actions of forgiveness etc are rewarded with EGO reduction

8.) How are the responsibilities of narration and credibility divided in your game?
Drawing a blank.

9.) What does your game do to command the players' attention, engagement, and participation? (i.e. What does the game do to make them care?)
Limitless character development and ease of creation.  Strikes a chord in all of us.

10.) What are the resolution mechanics of your game like?
Simple, 1 die.  1 chart, not really needed.  1 roll for actions and reactions.

11.) How do the resolution mechanics reinforce what your game is about?
d10 = vibration.  Above EGO = success.  Low EGO = master

12.) Do characters in your game advance? If so, how?
By losing EGO.  having negative traits challenged and beating the challenge.

13.) How does the character advancement (or lack thereof) reinforce what your game is about?
Losing EGO till none.  Enlightenment.

14.) What sort of product or effect do you want your game to produce in or for the players?
An awakening.  Fun.

15.) What areas of your game receive extra attention and color? Why?
Emotions and negative traits.

16.) Which part of your game are you most excited about or interested in? Why?
EGO.  Not seen before.  Relates to the book "Illusions" by Richard Bach.

17.) Where does your game take the players that other games can’t, don’t, or won’t?
towards awareness.  Teaches that overcoming the negative traits is the key.

18.) What are your publishing goals for your game?
Indie.  Free.  maybe some Theme books for $ (they do require a LOT of work)

19.) Who is your target audience?
Anyone.  Particularly 30 somethings?  Those that are frustrated with life and seek an escape from it.  :-)

Hello! First things first: I think you've got a great vision for your game and I'm interested in helping.

Second and most important thing: since EGO and the associated concepts (illusion, alienation) are central, the whole physical body/damage aspect of play cannot be permitted to take over. There are a lot of games which purport to be about the persona and the soul and morality (et cetera), yet when combat starts, wham, there we are, playing Shadowrun again. Which would be fine if the game weren't about the persona et cetera. It seems to me that this is your trap to avoid - not failing to be realistic or failing to be simple or anything like that, but getting off-track in terms of the most fun and most important conflicts of playing the game.

So I'm going to ask a question from a little bit different angle: during play, as you anticipate or desire it, what might characters physically fight about? Whom would they fight? How would they get into fights? What are the consequences of fighting, both at the personal I-got-hit level and at the level of what the whole fight accomplishes?

To be clear, there's a possible assumption that I think needs to be examined. It is that a game system achieves its fullest "test" or application when a bunch of random foes appear and attack physically. Your game design goals are incompatible with that assumption, so I'm trying to make sure that you place/position combat appropriately within those goals. It may be that everything that's gumming you up with combat design is emerging from that assumption, or something like it, and can therefore be solved by taking that assumption away. Let me know. By answering those questions above, we can get at that.

Best, Ron

Yeah it does seem kind of out of place. I can see characters in this game losing combats they win (as in they kick someone's batty and their Ego shoots up) and winning fights they lose (as in they let someone beat them up and might suceed in lowering their Ego).

How about a Stat that represents their tie to the Material world, a physicality stat? It could be interesting if th estat was useful, short term in surviving violent encounters, but ultimately a hindrance to losing Ego. So players would have a dilema, at what point can they start letting go of their Physicality?

That way the "pesky" combat rules. Make it a straight opposed test of Physicality, nd that would go for anything else like sports, chases or whatever. Some other stuff could be a combined Physicality roll (like sexual encounters or whatever). At 0 Physicality you're dead (unless you're also 0 Ego at which point you're "one with the Force").

So yeah, what how does all this physical combat affect your Ego?

What might characters physically fight about?
Well, fighting is generally about silly things like religion and politics (Government) or survival in some form or another.  TOTEM is intended to sort of be a generic type system, so anything is possible in the TOTEM universe so this kind of depends on the setting or theme.

Whom would they fight?
Pawns (of “evil people) and miserable suffering (blind) people.  Also, “evil” people that reduce their ego enough to make themselves powerful (the Dark side).  The idea is that the “world” is controlled by these evil people that seek power over others.  Other ideas are things like scary monsters in Horror, Sci-Fi and Fantasy and themselves (their negative traits) when exposed to their weaknesses.  I have some ideas for “organizations” of EGO groups like the illuminati, Angels and Demons, Mystics (Jedis), UFOnauts, etc.

How would they get into fights?
Just a few ideas (just got off work-brain hurtz): NPCs that are perhaps jealous of their “luck” or angry because of their actions or inactions, being assaulted in order to shut them up or put an end to their influence/perceived threat, winning a bet, being forced to because it is your job (you were told to)…

As in Jonathan Livingston Seagull, being outcast means encountering crazy, mean, cold people (gulls).  The important thing to keep in mind about TOTEM is that I envision the most important part of the game to be in the background for most players-at first.  Much like life!  There are some that “See” and most that are miserable or lost and confused in a seemingly dark and scary world full of pain.  That is the only reason that combat rules should even be included. 

What are the consequences of fighting, both at the personal I-got-hit level and at the level of what the whole fight accomplishes?
Within this whole subject comes the idea of “alignment”.  Chaotic neutral versus Lawful Good.  You know?  I do not want to use the AD&D system, but you can see some actions like killing or even fighting/engaging as being neither good nor evil.  Of course giving up one’s life might be the ultimate act of ego destruction, yet to kill one’s self is the exact opposite. 

Combat is not chess!  It is an action of hitting or missing another living thing that does not want to be hit.  That is all.  No need for move spaces, hit points, hit dice etc.

One hit may maim or kill if it is good enough!  This is what "combat" is, not people taking turns hitting each other.  Descriptive system will be good for low tech and high tech as well as versus Cthulhu type things man was not meant to know (at high ego levels!)  Donald Shimoda was killed rather violently by someone with a shotgun who was portrayed as a poor misguided person to be pitied rather than chased down and killed.  Of course this may easily happen if and “EGO Throw” is failed!  (Perhaps...)

The fight may end well IF the result is good AND the character(s) do not react poorly to the aftermath.  Stray bullets hitting innocent victims would ruin that for sure.  See Combat is a part of TOTEM but only a part.  I was trying to veer from any combat statistics at all and have done so for a long time.

Creatures wrote:
Yeah it does seem kind of out of place. I can see characters in this game losing combats they win (as in they kick someone's batty and their Ego shoots up) and winning fights they lose (as in they let someone beat them up and might suceed in lowering their Ego).

To (loosely) quote Desolation Jones:
"Fights aren't won by being the strongest man or a clever boxer, but by being more prepared to permanently **** the other guy up."

Thats my philosophy toward battles that I use in all the games I try to design. You see, my battle systems are partly dependent on physical stats if at all, but battles in my settings are mostly mental.
How long is the fighter willing to fight? How far is the fighter willing to go?

I partly agree, though having skill is important. A trained and competent bodyguard can deal with a total maniac (at least some of the time). Still it could be interesting given taht this is mostly about mental conflicts, that EVERY physical conflict is also a mental conflict so there's some interplay between Ego and Physicality.

For example taunting someone might make them add their Ego as a penalty by encouarging them to do something stupid. A character might use their physicality to lower their ego (as in Shaolin monks using martial arts as a from of meditation) or it may be a hindrance. So the main thing is the interplay of those two stats. A near death experience might help a character lower Ego or a himiliating defeat might lead to a mental retreat and add Ego. Both characters took physical damage but the result is the complete opposite as regards teh objectives of the game.

So the game could encourage the idea that comabt is simply a distraction from the real business of lowering Ego.

Dan

Creatures wrote:
I partly agree, though having skill is important. A trained and competent bodyguard can deal with a total maniac (at least some of the time). Still it could be interesting given taht this is mostly about mental conflicts, that EVERY physical conflict is also a mental conflict so there's some interplay between Ego and Physicality.

For example taunting someone might make them add their Ego as a penalty by encouarging them to do something stupid. A character might use their physicality to lower their ego (as in Shaolin monks using martial arts as a from of meditation) or it may be a hindrance. So the main thing is the interplay of those two stats. A near death experience might help a character lower Ego or a himiliating defeat might lead to a mental retreat and add Ego. Both characters took physical damage but the result is the complete opposite as regards teh objectives of the game.

So the game could encourage the idea that comabt is simply a distraction from the real business of lowering Ego.

Dan

I find the Cthullu stuff a little out of place as written. I mean the Cthullu mythos is essentially hopeless - you know we're all just insignificant fodder for the Elder Gods. Whereas the enlgihtenment deal seems quite optimistic - beyond our humdrum existence there is a more important aspect to ourselves that our Ego denies. So maybe as Ego ebbs and flows the antagonists change. At high Egos you encounter mundane foes, while at lower Egos you're closer to the world of the big ol' beastes. But unlike in Cthullu, there's something BEYOND the big ol' beasties. Since they're simply part of the nature of reality they would have pretty low Ego scores (low is good right?) and have modifiers for being Big, Ancient, Immortal and so on.

So in fighting a big ol' beastie the creature tires to force you into a higher Ego state ("Oh my god it's gonna eat me!") in which YOU CANNOT possibly beat it. In a fight with a normal guy, the one in the higher state has the advantage IF THEY WANT IT, while the various "skills" affect it (as in an unenlightened violent thug can easily beat up an enlightened pacifist but not an enlightened Jedi, but becoming a Jedi means risking going into the Dark Side of Ego, a risk Gandhi, say, doesn't run). Maybe you can call on a bonus but that bonus raises (or risks raising) your Ego.

Basically the only way you can beat Cthullu is by accepting Cthullu (which is a major departure from HP Lovecraft).

Complete opposite.  You are right!  Call of Cthulhu sort of inspired TOTEM with the SAN characteristic, but not the game itself.  In TOTEM, we have EGO which is like the same thing only measured as "Insanity" points.  The more EGO you have the crazier you are, but there IS hope!

I definitely wanted to include character creation guidelines that incorporated bigguns and littleuns too.  I have got that now!!!  Thank you everyone!!

Axe4Eye wrote: Theater Of ThE Mind (TOTEM) has been my little brain puppy for about 15 years....

I really appreciate that!  I have not put a lot of thought into the name yet, just thought TOTEM was clever in my own mind.  Not sure what F.A.T.A.L. is, but it sounds like something that I would not want to be associated with.  I like "Theater Of The Egoistic Mind".  I might very well use it, if I do go with the whole acronym thing.  I deal with too many acronyms on a daily basis though, so given some thought I might easily change it completely.  Any other suggestions for a name for this project?