(The Monsters and Mustard Gas {High Fantasy/World War I} "saga" began in this thread.)

OK. I'm about ready to settle on a setting direction, which I hope is the fount from which everything else will flow.

I've got it narrowed down to two. My currents plans are to either choose one and let the other fall or include both versions of the setting in the finished game.

Setting A: The Invasion Scenario

This one goes the Alternate History route. Right before the Great War begins in earnest, weird stuff starts happening. It is an "Awakening" of sorts, but of a much different scale and nature than in something like Shadowrun.

One of the catalyst background events is the capture of two German soldiers who have become inhuman...somewhere between man and goblin. Then, Moscow cuts itself off from the outside world and there are reports of strange things in the tundra. Later, whole platoons and villages begin to change...in small ways at first, but slowly moving from human to something else.

There will be half-forms in this setting, but not from intermixing. They will be stages of transformation from man to a member of the fantasy races (what ever they end up being.) At the half-level, a character is still mostly human. At the full-level, a character has much more inhuman appearance, a hybrid-personality, strange memories, alien skills and abilities and begins to speak in and understand tongues of other worlds.

The once-hostile powers of Europe have to try to unite against hordes of other-worldly invaders who are using the weapons, equipment and bodies of the armies they built to war against one another.

The nutshell concept is that powerful beings from a Fantasy setting and their minions are moving to our world and using humans as a conduit. All this happens against the backdrop of the well-armed powder-keg that is the Europe of the early 1900s.

Advantages: Plenty of real life characters, locations and events to add rich detail. Has solid foundation but an old ended direction. Seems to marry the two concepts in a way I like.

Disadvantages: GMs and Players may be intimidated/turned off by the amount of history involved. Historical developments may overshadow the PCs and their stories.

Setting B: The No Man Lands

In this one, keep the transformations, keep the WWI technology and style...but drop all the history and go for the symbolic.

There is great battlefield that divides the lands of men and the No Man Lands...the lands where fantasy beings dwell. Thousand of miles of trenches and barbwire cover this area. Brave men man the trenches to keep the plague at bay (always at risk of being changed themselves.) The Front is dirty and high tech...but the further in towards the heart of lands of man, the more peaceful, primitive and unspoiled it is.

The same may true of the No Man Lands, if you're brave enough to go there and explore. If you're brave enough to change.

The only men that the non-humans ever see are the ones in the trenches that try to kill them. The only part of the human world they see the dirty, hostile side. The inverse holds true for the men.

Why are there trenches and rifles and machine guns if this is not the Europe of WWI? The same reason that D&D character have swords and armor, even though they are not in Medieval Europe: style.

Advantages: Don't have to know a bunch of history. More iconic and universal. No historical metaplot to overshadow the PCs and stories.

Disadvantages: May seem silly/out of context. Not as logically satisfying. May turn-off those attracted by the historical element.

Setting AB: Both

I was thinking, that since Setting B is pretty much Setting A without the history, I could just include BOTH of them in the game as examples of the two extremes of the concept. That way, a wider audience could draw something useful from the setting.

Would that be bad? Would it spilt the focus of the materials or just confuse people?

Another factor: it would seem to take a lot more work to write for two settings than for one.

That's where I'm currently at.

I'd like to say thanks again to everyone who gave me feedback and encouragement in the original thread. Especially iago who's suggestions sort of set my mind wondering in some interesting directions.

To give a real short response, I'd vote for A. I'm not a history nut, and I am not likely to become one, but going for B seems like a cheat, and is likely to leave the people who are history nuts cold. On the other hand, it's probably a lot of work. But if you're willing to do it, there's so much to be gained from working within the context of the familiar, and a lot of fun speculative history to be had in terms of what social impact the "united against a common foe" gig has on Europe, and on the events that followed the great war. You are also treading on familiar ground, in part, in terms of striking a comparison with that series by Turtledove (I forget the name) that hypothesized a World War II derailed by an alien invasion. This is not a bad thing, since it'll give folks grounding and a body of similar ideas.

Personally, I'm still more in favor of WWI, no external invasion, and the whole 'technology unleashing the beast within' sort of idea -- but then I would be, since that was my idea. ;)

Hello,

Orcs! With machine guns! Going over the top!

That's what this is about: two questions that immediately arise. They are utterly opposed to one another. By choosing to answer one, you immediately diminish the other to nothingness or to, at most, pure support for the first.

1. Then what?

2. But whyyyy?

Choose which one is more important to you, and then answer it.

Best,
Ron

I think one problem with this setting isn't so much Why, as How? WW2 isn't exactly well know as being a great setting for roleplaying. If anything, it seems more suitable to Games Workshop style mass battles, and it's certainyl no coincidence that some of the armoured vehicles in WH 20,000 look a lot like WW2 british tanks.

Might I suggest going a more post-apocalypse route? Whichever settign you choose, the war has been grinding on not for 4 years, but for 40 years. Almost the entire continent is a wasteland, and vast poison gass clouds have made travell to some regions impossible for years. A whole generation has grown up for nothing but war. This was the war to end all wars, because from now on there will be nothing but war, forever.

Or will there? Whether you're playing in europe or some fantasy world, the situation is basicaly the same. Finaly the war is petering out, simply because there just aren't enough people and weapons left to fight it. Communications have been patchy at best for the last few years, but now they're effectively stopped. What's going on at HQ? Why are so many of the trenches deserted? Even the most loyal, die-hard troops are beginning to think, if the home you've been fighting for for so long even still exists, maybe it's time to try and find it?


Simon Hibbs

simon_hibbs

I think one problem with this setting isn't so much Why, as How? WW2 isn't exactly well know as being a great setting for roleplaying. If anything, it seems more suitable to Games Workshop style mass battles, and it's certainyl no coincidence that some of the armoured vehicles in WH 20,000 look a lot like WW2 british tanks.

Might I suggest going a more post-apocalypse route?

Ron Edwards:

Orcs! With machine guns! Going over the top!

That's what this is about: two questions that immediately arise. They are utterly opposed to one another. By choosing to answer one, you immediately diminish the other to nothingness or to, at most, pure support for the first.

1. Then what?

2. But whyyyy?

I have half a story in my head that involves Malcolm (from the isles) and Gustav (of slavic origin) hunkered down in a trench with their rune-carved rifles and gas masks in hand. Green Gus, as they've taken to calling the changed ones, are doing likewise on the other side of the battlefield. At night it's easy to imagine you're catching sight of their red eyes through the smoke, and it's enough to get some of the lads nervous, shooting out of turn... which of course, armed as they are, is its own problem. The rune magics mean we've got a fighting chance here, holding the line between the advancing Green army and the free peoples of Europe, but it also takes us one step closer to joining up with Gus and his pals every time we use it...

Iago:

I have half a story in my head that involves Malcolm (from the isles) and Gustav (of slavic origin) hunkered down in a trench with their rune-carved rifles and gas masks in hand.

AgentFresh wrote: Any ideas on how to jump in?

Iago:

Give yourself your own personal 24-hour RPG challenge.

AgentFresh wrote: OK...I'll give it a shot. Gonna be REALLY, REALLY lacking in historical detail, though.

You know, I just can't shake the idea that iago has. It exactly mirrors my sentiments about the setting. The grimy soldiers sitting in a trench with magical rifles ready to attack those that have been changed, defending their homes, but in the act of defending themselves, they run the risk of slowly becoming like their attackers. And I would most certainly go with setting A, but structure it so that although big things have happened, the PCs have the chance to become just as big or bigger.

And again, I must repeat something iago said. Make an extremely basic outline in a short amount of time, and then start adding the teeth. Don't go into too much detail about the setting (so long as you have a very strong idea of what you want, and how to write the rules to fit the setting), and just write the rules. Of course, you may not be able to write the rules without the setting, or vice versa, so disregard anything that I say if it doesn't work.

Hope it helps,
Kirk

Honestly, write the rules first, as much as possible, before you go into detail on setting history. With any sort of supernatural or magic stuff, this is (imho) extremely important. Once you have some notes on how magic *will* work in the game system, you'll be able to make rational choices on how it affects the setting in question.

You already have a good idea (magic in WWI) and you likely have some visions/ideas in your head on certain effects you want the magic to achieve. My suggestion: hack on the rules for a bit, to make sure those effects occur, and then extrapolate other magical effects there. If you don't like what you see, go back to the rules. If you're willing to go with the flow, you can use those very extrapolations in the history.

People understand "real world" physics well enough that your system emulating them shouldn't be a problem. But for "unreal" physics, system is often the only touchpoint the players will have vis-a-vis "how things work." That makes these things very important when they have as large an impact on the setting as you're wanting.

Of course, this is just MNSHO, so YMMV

Try as I might, I can't see the attraction of the "WW2 with people changing into orcs and elves" setting. I have tried, but there are just too many questions that keep popping up in my head.

Why are they changing into orcs and elves? If it's an invasion into our world, I can see that it's an arbitrary world invading ours, but if they're shapechanging how does that happen? Are they orcs, or Germans that look like orcs, or what? Do you expect many Germans to understand and appreciate the finer points of this game?

Do they transform physicaly and menatly, but remain the same person (same memories, culture, language, name, etc), or do they become a completely new person?

How do they maintain organisational integrity? Did they all change in one night, with all the Germans becoming Orcs, and all the French (or whoever) turning into Elves, or wa sit gradual? How did they maintain discipline during such a huge change?

Where did the knowledge of magic come from? If it just popped into people's heads, how did they come to learn how to use it effectively? It would take time to integrate a new 'technology' like that into a military organisation.

I get the atmosphere and game mood you're trying to create, but I think you can get that without the historical setting which IMHO just complicates a great concept.


Simon Hibbs

Funny, AF. Not that it matters, but you got the "what" and "why" backwards. OTOH, it's sort of a subjective thing (heck, maybe it's me that's got it backwards). Which is why Ron didn't ask you using jargon. Basically, the jargon part doesn't matter, what matters is which vision you have. Do you see some issue, a reason "why" the characters are going over the wall, or do you just see more action ("what")?

Once you have a hold of these things, then make the rules create that which you envision. That simple.

Mike

I've been "in the lab" with this idea. I didn't get close to surviving the 24-Hour challenge, but attempting it got me to putting my ducks in a row and seeing what's important.

Mike Holmes wrote

Funny, AF. Not that it matters, but you got the "what" and "why" backwards. OTOH, it's sort of a subjective thing (heck, maybe it's me that's got it backwards). Which is why Ron didn't ask you using jargon. Basically, the jargon part doesn't matter, what matters is which vision you have. Do you see some issue, a reason "why" the characters are going over the wall, or do you just see more action ("what")?

Try as I might, I can't see the attraction of the "WW2 with people changing into orcs and elves" setting. I have tried, but there are just too many questions that keep popping up in my head.

AgentFresh wrote: I think looking at the setting specific issues (magic system, humans changing into non-humans, the changing world) in regards to the rules is also a wise suggestion. That'll answer some important questons and make sure that the system supports the kind of stories I'd like to see people be able to tell.

iago: From what I can see, I think our druthers are similar. I think you'll like it, if and when it's finished.

AgentFresh wrote:
In the interest of accuracy, it's World War I, 1914-1918 (not that clearing that up would make someone turned-off by the idea any more interested.)

I think option B would be better, as all you need are visuals (rats, fog, craters, barbed wire etc.) and somehow the lack of justification conveys better the absurdity of trench warfare - after all, did the grunts worry about the "why" ?

AgentFresh wrote:

Quesiton is: do I just start writing? Do I get started on the system? Do I hammer out the setting? Do I immerse myself in WWI history?

I don't want to clog up the forums further until I've got something of substance to show.

Any ideas on how to jump in?

simon_hibbs wrote:

Sorry, I know it's WW1, but I'm working on a WW2 scenario at the moment and my fingers haven't cought up with my brain yet.

I think option B would be better, as all you need are visuals (rats, fog, craters, barbed wire etc.) and somehow the lack of justification conveys better the absurdity of trench warfare - after all, did the grunts worry about the "why" ?

I have always had the most success in writing the setting first and using that work to determine the 'pivots' (my term) that you want to use for mechanics to reinforce or illuminate.

I stole the tagline from Emily, and I do so with all due respect...

do be do be dooo...

If the game is primarily centered in a North American audience I generally think this is a very risky proposition. Aside from the obvious anti-french sentiments reverberating in North America recently. The only other game that uses France as its central power tanked. Largely because there was no emotional relationship with the audience to the setting. That was Traveller: 2300.

In a perfect world it wouldn't matter, but hey, this isn't.

ross_winn wrote:

If the game is primarily centered in a North American audience I generally think this is a very risky proposition. Aside from the obvious anti-french sentiments reverberating in North America recently. The only other game that uses France as its central power tanked. Largely because there was no emotional relationship with the audience to the setting. That was Traveller: 2300.

AgentFresh wrote:
Btw, I think France is going to be the focal point of my setting. Maybe you can give me tips when I get to that part?

NEXT PHASE:

I have done a lot of disecting and theorizing and absorbing of good feedback. I have done some writing, testing and plan making.

Now, I'm gonna let it digest.

I'm gonna get back to playing and try to GM a game of something else to get my perspective on things. To remember what I like about other RPGs and what I think is broken.

THANKS AGAIN.

This should be my last word on this game until I have a draft ready for your consideration.