[Primetime Adventures] pre-game killing game?

[Dionysus]

Howdy all.

I finally convinced my mates to try out something other than WoD/Exalted. So yay for primetime adventures....

But I'm gettting a sinking feeling that the pilot episode is going to be a disaster...

The brainstorming session we had led us to develop a sci-fi ish story. Something along the lines of battlestar galactica/macross. Interstellar human civilisation, planetary politics in the background - secret war against aliens etc, all set on a long range patrol ship. We have so far the mechanic (things break, people die, but not on my watch), a fanatic political/religious officer (Heresy must be contained), a paranoid security officer (I KNOW there is a traitor on board), a xenobiologist (this would taste excellent with some red wine), and a grouchy old medic (I'll retire when i drop dead).

Everyone was excited and really into the whole "making a TV series" and having the freedom to drive the story in the game.

...

Then for the last week two of my players have been literally statting out the starship's technical specifications, weight of the engine, fuel types, amount of thrust gerated in newtons and energy requirement to generate that thrust. I mean in intricate scientific details! To the point where one player was so intimidated by it that she decided to become a xenobiologist (rather than her original idea of engineer).

I (and a few of the players) wanted a story game to get away from the intricate mechanics and convoluted "canon" that required reading multiple rulebooks or memorising pages of facts. And then we get some players trying to inundate the game with convoluted/conplex scientific "canon".

sigh.

Any advise on how to get things back on track? I want all my players to enjoy this, and not get scared away (especially since I will have two new players who have never actually RP'd before...)

Kentsu

[Judd]

Specs, blueprints, fuel type, etc. is all fine until someone tries to use it to refute someone else's narration.

Then (or perhaps before then) I would remind the players that the blueprints have no mechanical teeth, but the player with the high card has narration and their narration can over-ride any away-from-the-table froofery.

[Moreno R.]

My advice is that you shouldn't worry too much about that. Having some player that can suggest that kind of color can be a useful thing during a game.

The point is, though, that that kind of detail should be used for color, to give texture and "reality" to the setting, and should be freely shared with the other characters. In Paka's example, if the player with the high card make some technical error in his description, these players should help him with suggestion about how what he want to narrate could be possible

Thaese details should not be used as a "weapon" against the other players.

But, I repeat, don't worry: PTA is self-corrective about this: no amount of detail can add even a 0.0001% chance to win a conflict. The only thing that can give you more "influence" in the story is fan mail. If these players will use that knowledge to create fun situations for everybody, they will be awarded with fan mail. If not, they will not get fan mail and if they are at least half witted they will quickly understand that they should change their ways if they want to get some.

You will not have to "repress" anything. All you have to do is trust the game system and let it work..

[Zamiel]

Specs, blueprints, fuel type, etc. is all fine until someone tries to use it to refute someone else's narration.

Then (or perhaps before then) I would remind the players that the blueprints have no mechanical teeth, but the player with the high card has narration and their narration can over-ride any away-from-the-table froofery.

Then I'd subtly make sure the xenobio "managed" to win narration in a story-critical scene involving technical specifications and casually say, "Oh, by the way, everything works exactly the way you say it does, right this moment." A little subtle card manipulation should do the trick nicely ...

But here's my question. Who in the name of Hades Below put into the tech-head guys' minds that spec'ing out the whole starship would even be useful in PTA? Seriously. Once you guys had settled on the pitch, you should have leapt into episode #1 / the pilot with both feet, at a running pace. That's one of the reason the system is designed as it is, so you can do that, because the more distance between the pitch and Scene One, the less attachment any of your players will have to the story-as-conceived. You know their issues, you got their edges, now get in there and push hard on them. What they're doing right now sounds like what they're doing instead of playing, not in addition to.

You've got two real problems:

• The tech heads are under the perverse delusion they're doing something meaningful. This is easy to correct; get into play, win narration as the Director and point out that anything not agreed on in the premise is narratively pliable, and twiddle something.
• You didn't get to the game, so now some players are playing their own game. Less amenable to retrofitting, sadly.

Because I'm a glorious bastard (and because almost none of the characters' concepts hinge on technical issues anyway) I'd probably work on focusing the first few eps with Directorial buy-in and framing toward social / cultural / political issues. Hopefully your ex-engineer-cum-xenobiologist has a character ep in the first few, because that's going to be a fairly important thing there.

Once what's important in PTA mechanical interface is more obvious, I don't think you'll have much more issue with any of it. The tech-heads can scribble as much as they want, but when the cards hit the table, high numbers win. (Plus they've given you an obvious way to manipulate them into conflicts; threaten their exo-canon. )

[Dionysus]

[Alan]

HI Dionysis,

Well, it is the pilot so you can adjust characters after the episode too.

I notice that the Chaplain and Security Chief both have Issues that are more like character goals. You might find these fall kind of flat in play, or don't have much legs. It's interesting that both characters have edges that would make good  Issues. See how it plays then adjust for the season.

[Callan S.]

Well, those details aren't irrelevant (I don't think you should be saying that), but it's the rules of prime time adventures that control play, not the rules of thermo dynamics.

I'd guess they are actually well meaning - alot of RPGs just have a power vacuum in the rules, that males tend to try and fill with technical detail. Their trying to fill a hole that isn't there. I hardly know enough to know it for sure, but at the same time I'm suggesting they have good will in mind in what they thought was necessary.

[Wordmaker]

The only problem I see in the situation is that one player became intimidated by the jargon and wanted to change character as a result. If a player ever feels that they can't enjoy the game the way they wanted, that needs to be addressed. Now, maybe the player just realised that she wasn't confident enough to come up with technical jargon in play, and just needs some encouragement, but on the chance that she felt like the tech-heads would shout her down if she contradicted their specs, then there's an issue.

Overall, though, this sounds like it could just be simple enthusiasm. So long as they don't try to browbeat anyone else at the table with their specs, it should be fine.

[Judd]

Overall, though, this sounds like it could just be simple enthusiasm. So long as they don't try to browbeat anyone else at the table with their specs, it should be fine.

I've been meaning to come back to this thread and write exactly this.

[Noclue]

I really really want to hear how the first game goes. The players definitely seem excited. I think I would frame the opening credits with like all their schematics digitized, being flashed across the screen. Lots of numbers and vectors and line drawings of the ship. All sorts of cool space color.

[Wordmaker]

Now that sounds cool!

[Callan S.]

The only problem I see in the situation is that one player became intimidated by the jargon and wanted to change character as a result. If a player ever feels that they can't enjoy the game the way they wanted, that needs to be addressed. Now, maybe the player just realised that she wasn't confident enough to come up with technical jargon in play, and just needs some encouragement, but on the chance that she felt like the tech-heads would shout her down if she contradicted their specs, then there's an issue.

I don't own PTA, but I'd assume the rules already address it. Again it's an assumption of a power vacuum, most likely, on her part this time. Where she thinks this stuff will take over and fill that power vacuum and she's trying to dodge that non issue by changing to a xenobiologist. I think having a chat with them about any 'potential' shout down would be also trying to fill a power vacuum that isn't there. Unless I'm crediting PTA too much in having procedure for this? But I'll say that for about thirty years RPG's have had massive power vacuums in them (some people even exult in that), so it's hardly a crazy assumption for her to have about an RPG (if she does have such an assumption).

[Noclue]

PtA has a pretty simple rule on this. If you win narration rights, you say what happens. There's no way for others to impose their version of the ship specifications or anything else. The high card narrates.

[Alan]

PtA has a pretty simple rule on this. If you win narration rights, you say what happens. There's no way for others to impose their version of the ship specifications or anything else. The high card narrates.

High card narrates _how_ the winner got their stakes. They can't narrate a failure.

[Joel P. Shempert]

Hi, Kentsu!

About the technical stuff, I think there's a danger in trying to deal with the social issues with the game rules. That is, if everyone's expecting to have these technical specs be adhered to, then all the "hey, the book says I can narrate anything on a high card!" is going to alleviate the frustration and hurt feelings if someone is expecting their contribution to be adhered to. And hell, I'd be pissed to, if I contributed something--be it tech, culture, or whatever--to the setting, and people just said in play, "Nyah! I can do it however I want! Rules say so!"

Not saying you're doing that necessarily, but I wanted this advice to stand in contrast with some other advice here. If you think there's likely to be a problem, you're best off addressing it up-front.

On the subject of Issues, I think you're right that something's off. Some issues are goals, some are past events. . .I don't think those are going to work for the whole cycle of PTA play. Alan's right that some of the Edges (are those Edges? Those assignments seem off too. Where's the relationships?) look like great Issues. You should make sure an Issue is resilient and broad enough to weather specific events (like a traitor being revealed) and also present enough to affect play NOW. (people died. So what? What's your Issue about people dying?)

Good luck!

Peace,
-Joel